'Jurassic World 3' កំពូល $800 លានដុល្លារ ខណៈ 'Lightyear' បន្តគាំង

In box office news that isn’t about នាទី៖ ការកើនឡើងនៃហ្គ្រុយ or Top Gun: Maverick, Warner Bros. Discovery’s Elvis held on over the holiday against some brutal competition. Baz Luhrmann’s $85 million rock biopic, starring Austin Butler and Tom Hanks, earned another $19 million (-39%) over the Fri-Sun part of a likely $22.5 million Fri-Mon holiday haul. That will give Elvis a $71 million 11-day cume, positioning it for a domestic finish essentially tied with Dune (៤ លានដុល្លារ)។

It earned another $15.7 million overseas (-28%) for a new $113.5 million global cume, which sets the film up (give or take huge breakouts in Latin America or South Korea on the week of July 15) for a global finish of around $190 million. However, considering the reviews, buzz and lack of (non-horror) biggies for grown-ups between now and រថភ្លើងគ្រាប់កាំភ្លើង on August 5, I’d expect a $200 million-plus finish, about in line with Rocketman នៅរដូវក្តៅនៃ 2019 ។

អធិរាជពិភពលោកជូរិច earned $15.65 million (-41%) in weekend four for a $331 million 24-day cume/$336 million 25-day domestic total. Colin Trevorrow and Emily Carmichael’s $185 million dino threequel has earned $492.7 million overseas for a new $824.5 million global cume. It might not make it to $1 billion (it’s only going to earn around $130 million in China versus $227 million and $267 million for the previous two ពិភពលោក Jurassic movies), but Amblin will cope with merely quintupling the budget purely from theatrical earnings.

Blumhouse's ទូរស័ព្ទខ្មៅ earned $12.3 million (-48%) over the Fri-Sun frame and $14.6 million over the holiday. That gives Scott Derrickson and C. Robert Cargill’s $19 million chiller $50 million domestic and $75 million global. DreamWorks’ មនុស្សអាក្រក់ has $96 million domestic and $244.5 million global on an $80 million budget. Universal has three films in the top five and (along with Focus Features’ Downton Abbey: យុគសម័យថ្មី។) accounts for 83% of the total weekend box office.

ភីស៊ីសា ឆ្នាំពន្លឺ earned $6.57 million (-64%) for a miserable $105.4 million 17-day total. That’s less than មីនី ២’s $108.5 million Fri-Sun opening weekend. The $200 million flick has earned $191 million worldwide for a likely under-$240 million global finish. Once again, I’d argue that the culprit was sending the better, more interesting Pixar flicks (ព្រលឹង, Luca និង ងាកក្រហម) to Disney+ while saving the comparatively cynical (quality notwithstanding) IP exploitation/cash-grab for theaters only to watch it pull a តែឯង: រឿងសង្គ្រាមផ្កាយ.

Save for the MCU films, Walt Disney is the one big studio that hasn’t yet recovered. The few seemingly surefire pre-Covid hits that stumbled over the last two years were mostly (រ៉ាយ៉ានិងនាគចុងក្រោយ, ជិះទូកព្រៃ។, មន្តស្នេហ៍ និង ឆ្នាំពន្លឺ) Disney biggies. Now, the MCU movies (Doctor Strange and the Multiverse of Madness, Thor: Love and Thunder និង Black Panther: Wakanda Forever) may well total around $3 billion global. Moreover, they’ve got Avatar: ផ្លូវទឹក។ នៅ​ខែ​ធ្នូ។

Nonetheless, it is depressing to see how the rush to goose Disney+ subscriptions has conditioned families to watch Walt Disney tentpoles on Disney+ (which we’ve known since រ៉ាយ៉ានិងនាគចុងក្រោយ skyrocketed once it became free on the service). We’ll see if Walt Disney Animation’s ពិភពចម្លែក can turn the ship around over Thanksgiving weekend. If not, as មីនី ២ aims for $1 billion global, it’ll be hard not to argue that the commercial struggles with Disney animated films aren’t entirely about Disney.