'រៀបការជាមួយខ្ញុំ' ជាប់កំពូលថ្ងៃបុណ្យនៃក្តីស្រឡាញ់ 'Spider-Man' ឆ្លងកាត់ 'Avatar'

រៀបការជាមួយខ្ញុំ was the top film at the domestic box office for at least one day. The Jennifer Lopez/Owen Wilson flick, about a world-famous musician who marries a random fan during a live concert, earned $3.04 million on Valentine’s Day to bring its four-day total up to $10.99 million. That’s +109% from its $1.452 million Sunday total, with the old-school Hollywood rom com getting an obvious (and expected) boost from the unofficial holiday. That doesn’t make it a theatrical hit, any more than ទិវា​មាតា became a hit in 2016 when ទិវា​មាតា jumped 152% from its first Sunday ($2.24 million) to its second Sunday ($5.643 million) for a massive overall +32% second-weekend jump. The Julia Roberts/Jennifer Aniston/Kate Hudson ensemble still earned $32 million domestic and $48 million worldwide on a $25 million budget.  

Likewise, it was “neat” when សេលម៉ា earned $5 million on Martin Luther King Day in 2015, its second Monday and 11th day in wide release, but that didn’t make or break Ava DuVernay’s biopic. The Oscar-winning drama earned $67 million worldwide on a $20 million budget. បុណ្យ Halloween had already earned $137 million domestic when it earned $5.5 million on day 13 (10/31/18). The top movie of last Valentine’s Day was Croods: អាយុថ្មី with $864,895. However, the top movie on February 14, 2020 was Sonic កាំប្រមានេះ which nabbed $20.9 million on its opening day. It’s also the three year “anniversary” of Alita: Battle Angel’s $8.7 million opening day. The biggest V-Day gross is still the $42 million day three/Sunday gross of Deadpool ក្នុង 2016 ។ 

Universal claims that the film was also tops on Peacock on Friday and Saturday (no word yet about day three and day four). The film is still playing theatrically like a low-level Jennifer Lopez star vehicle. Hustlers is an exception, but ច្បាប់ទីពីរ ($35 million from a $6.5 million debut in December 2018) and ក្មេងប្រុសទ្វារបន្ទាប់ ($35 million from a $15 million debut in early 2015) was more the norm. The film only cost $23 million, and I’m guessing money exchanged hands in terms of the Peacock deal, so this one obviously doesn’t need to break records to break even. Alas, Disney and 20th Century’s ការស្លាប់នៅលើទន្លេនីល earned $2.6 million on Monday for a $15.5 million four-day total. All hope rests on overseas for Kenneth Branagh’s $90 million all-star murder mystery. 

របស់ក្រុមហ៊ុនសូនី Spider-Man: គ្មានផ្លូវនៅផ្ទះទេ earned $1.615 million on Monday to bring its domestic cume to $760.99 million. That puts it above the unadjusted $760.5 million domestic cume of James Cameron’s Avatar (counting a summer-2010 reissue). That makes Tom Holland’s MCU sequel the third-biggest domestic grosser of all time, behind only Avengers: Endgame (៧០០ លានដុល្លារនៅឆ្នាំ ២០១៩) និង សង្គ្រាមផ្កាយ: កម្លាំងដាស់ ($937 million in 2015/2016). It’s tempting to argue that the film might have challenged those two absent Covid variables, but frankly I’d argue it has overperformed by virtue of being essentially the only event in town for the last two months. It would have been a big hit opening amid a conventional slate in July 2021 on the non-Covid timeline, but it wouldn’t have had the Christmas legs and the near-total lack of competition.  

We’ll see if Tom Holland’s មិនអាចដឹងបាន can also slightly overperform by virtue of being the next court-appointed “big movie for younger viewers” offering. In a non-Covid time, I’d argue the Sony release would be DOA, and Occom’s Razor may still apply. Still, it’s possible that, like Godzilla Vs. Kong, Free Guy និង Dune, the video game adaptation will be a bigger event by virtue of scarcity than if it had just been another would-be franchise starting fish in a conventionally sized IP-centric pond. As for Spidey, ផ្ទះគ្មានផ្លូវ is now the 24th biggest domestic grosser when adjusted for inflation, and 1/3 of those (the សង្គ្រាមផ្កាយ sequels, the Disney toons, etc.) are only higher by virtue of reissues. It’s in the top ten sans reissues for anything released since មាត់ ក្នុង 1975 ។ 

There’s an outside chance, thanks to some remarkable weekend-to-weekend holds, that Spider-Man 3 កំណែ 2.0 will reach the $783 million adjusted cume of បញ្ចប់ការសិក្សា ($105 million in 1967) but getting much higher than $1.8 billion worldwide will depend on a surprise China release. Granted, just because it eventually comes to China doesn’t mean it’ll make ឆ្ងាយពីផ្ទះ-level ($199 million in 2019) grosses or even ទំព័រដើម-level ($116 million in 2017) earnings. Honestly, if I’m China, I’d let Spider-Man 3 និង Venom 2 ។ ($505 million thus far) in alongside មូបារ៉ាស។. What better way to stick it to Disney than to let Sony’s Marvel movies stomp all over the Disney MCU offerings? Yes, Disney gets money from the Spider-Man movies too but having the not-quite-MCU flicks soar further beyond the Mouse House flicks would be a symbolic gesture.  

Source: https://www.forbes.com/sites/scottmendelson/2022/02/15/box-office-marry-me-tops-valentines-day-spider-man-passes-avatar/